The exhibition is the outcome of an eight-year research project which presents the landscape changes that occurred on the Filopappou Hill οr "The City of Rocks", as it was previously named. The research was based on the methodology of archaeological excavation, but, instead of digging with an axe, it followed the journeys of the plants which inhabit the hill today.
The exhibition is the outcome of an eight-year research project which presents the landscape changes that occurred on the Filopappou Hill οr “The City of Rocks”, as it was previously named. The research was based on the methodology of archaeological excavation, but, instead of digging with an axe, it followed the journeys of the plants which inhabit the hill today.
The everyday walks of the artist with his dog motivated this research which was later transformed into an interdisciplinary artistic endeavor, to which botanists, archaeologists and theorists contributed their knowledge. The whole venture ranges chronologically between America’s discovery and the current image of the hill. America’s discovery is highlighted since, when new species of plants and animals were discovered on that continent, the image of the Garden of Eden was redefined; and the contemporary image of the hill, for featuring the characteristics of a garden where the notion of a persistent landscape is undermined, revealing how it was never the same.
The archive material, the drawings and installations collaborate in order to “implant” into the mind of viewer concepts and politics related to globalization which, in this context, is illuminated by the movement and transfer of the plants.The exhibition have been showed initially in Athens in two different places. At the Eynard Mansion that belongs to the Cultural Foundation of the National Bank of Greece (MIET) and at the Pikionis Pavillion (in the heart of Filopappou hill) during 2018.
At the Pikioni’s Pavillion with the subtitlte: Flora Filopappou: a journey from the city of rocks to the garden, In Situ, the exhibition established a bridge between the actual site of research (Filopappou Hill) and the cultural centre of MIET. In order to follow the exhibition, viewers can walk around the hill themselves, follow Pikionis’s footpaths to the monument, and see the artistic material derived from research and displayed at the Eynard Mansion , as the two shows were running in parallel.
The artist originally creates an artist’s Book which illustrates his bibliographic and iconographic toolkit. He then develops a number of wall-mounted and three-dimensional reconstructions of this material. These compositions form a poetic representation of the world’s long-standing human policy towards the flora. In the Artist’s Book and the wall-drawings made by pencil or pen, the artist creates detailed, dot-by-dot depictions, transmitting a sense of a rediscovered pointillism. Papadopoulos’ dot alludes to the grain of the photographic film, the digital pixel or the spike of the printer –a persistent hands-on approach to the meditative creative process, in contrast to the mechanical processes of the operation of his own hand. Through this particular drawing practice, the artist transforms natural objects into images, transferring to paper those elements which he selects as important. The use of empty space is not accidental but acts as a natural source of light that illuminates the artworks from within.